Beth Munro - Research Manager
Beth is an archaeologist who specialises in the recycling of ancient materials and Roman villa architecture. She received her PhD in Archaeology from Oxford in 2010. She has worked as a postdoctoral researcher and lecturer in archaeology, and is currently a Research Associate at the Institute of Classical Studies, London. Her research focuses on the transformative processes and economics of glass, metal, and stone recycling in the late Roman period. Prior to joining us, Beth worked in doctoral training and research development. She also holds an MPhil in Classical Archaeology from Oxford and a BA in Archaeology and Ancient History from the University of British Columbia, Canada.
Darren Ellis - Technician
Darren is an enthusiastic and creative potter who enjoys learning and sharing skills, from kiln building and layout to the molecular structure within clay and glaze material. This has had a profound influence his approach to throwing - he specialises in the potter’s wheel - and this knowledge of traditional methods feeds his problem solving skills. He is trustee to the charity AaP, set up in response to many ceramic department closures throughout education, the ever growing programme’s aim is to fund learners to take apprenticeships within clay.
Ellie Doney - Makespace Manager
Ellie Doney is an artist and and co-founder of multidisciplinary art & design studio Manifold. She makes things out of all sorts of materials which explore the nature of transformation and the mutability of stuff, noticing the sensual and psychological undercurrents within matter and the way it behaves. A continual student of materials and experimental making with a particular interest in food and flavour, she graduated from MA Ceramics & Glass at the Royal College of Art in 2010, and is engaged in ongoing collaborative research.
members (@) instituteofmaking.org.uk
Liz Corbin - Researcher
Liz is a doctoral researcher at the Institute of Making. Corbin’s research explores the emergence of open workshops in Britain; investigating the materials, processes and cultures of practice indicative of this ever-fluid sector, particularly in relation to systems of production. Corbin holds a BA in Design and an MA in Material Culture. She is a contributor to the Fab City Global Initiative, collaborator of the Future Makespaces in Redistributed Manufacturing RCA project, and strategic partner to the Hello Shenzhen British Council programme. Her work has included founding the Open Workshop Network as well as co-founding Maker Assembly, and has helped to shape the debate around makerspaces and maker culture in Britain.
George Walker - Makespace Assistant Technician
George is a creative technologist, sound engineer and recent graduate of the Music Informatics BSc course at The University of Sussex. He has worked on a broad range of digital projects from physical music controller hardware to generative software art. He is also part of the teams behind the Eyeduino workshops, the robot Ohbot and the band Fatlion Hi-Fi. He is interested in music, programming, crowdfunding and of course making, and joins the team as Makespace Assistant with particular responsibility for the digital tools in the mezzanine.
Mark Miodownik - Director
Mark Miodownik is an engineer and materials scientist. He received his PhD in turbine jet engine alloys from Oxford University in 1996. Before joining UCL in February 2012 he worked in engineering research institutions in the USA, Ireland, and in the UK. His research areas include smart materials and psychophysical properties of materials. This work has resulted in collaborations with designers, architects and artists, as well as many museums, such as Tate Modern, Hayward Gallery and the Wellcome Collection. Prof Miodownik is a broadcaster and writer; he gave the 2010 Royal Institution Christmas Lectures, and regularly presents BBC TV programmes on materials science and engineering. He was included in the The Times 2010 list of the top 100 most influential people in science.
Martin Conreen - Director
Martin Conreen is an artist and designer. He received his BA from Goldsmiths College in Fine Art/Sculpture in 1984. His interest in materials and making led him to work in numerous design fields, including silversmithing, set building, furniture design and shoe making. In 1994, Martin became a visiting lecturer at Goldsmiths. From 2002 to 2005, Martin was the Head of the Design Department. Since 2008 he has been Senior Lecturer.
Martin's research has focused on new and emerging materials, crafts, material culture, contemporary art, and manufacturing. He currently has a growing interest in Rapid Prototyping/Manufacturing along with their materials and their relationship to digital technologies. He has contributed to the development and delivery of several new BA and MA Design programmes including a new degree programme with the Engineering Department of Queen Mary University of London, to bridge the gap between engineering, art and design.
He undertakes materials consultancy with the prospecting and Innovation Studio (PI Studio) at Goldsmiths and lectures worldwide about design and materials. From October 2005 to October 2006 he was appointed a visiting senior Research Fellow at King's College London, and in 2006 he was made a fellow of the Royal Society for the encouragement of Arts, Manufacturers and Commerce (RSA).
Romain Meunier - Technician
Romain is an artist, designer and creative technologist. His work takes the form of interactive installations, product design or window display developments and draws inspiration from people’s relationship with technology and its rapid evolvement. He likes mixing a variety of digital and analogue technologies; his work tries to reconcile the virtual and the physical world, bringing together data flows and human senses.
Growing up with a dressmaker mother and a mechanic dad working in carpentry, Romain has always been surrounded by craft and he considers himself an artisan of new technologies.
Sara Brouwer - Events Coordinator
Sara Brouwer is a ceramicist with a background in Learning and Talent Development programmes in the craft sector. She throws asymmetrical pieces on the wheel (on purpose) and specialises in sculptural and textural ceramics. Before this, Sara attended Camberwell College of Arts where she specialised in drawing, stop-frame animation and video art, and then took the Museum Studies MA at UCL. Sara has experience showing and selling handmade work in shops and at craft fairs as well as working with galleries. She joins our team as events co-ordinator.
Sarah Wilkes - Research Fellow
Sarah is Research Fellow at the Institute of Making. Her Wellcome Trust fellowship project, Material Anxieties, develops a novel combination of methods to examine how materials used in healthcare applications mediate clinician and patient experiences in positive and negative ways. Sarah has previously been post-doc researcher and manager on a variety of collaborative, interdisciplinary projects including Hands of X (EPSRC), PhysFeel (UCL Grand Challenges) and Light.Touch.Matters (EUFP7). Sarah has a PhD in Anthropology from UCL, completed with industrial partners the IOM3. This work looked at ethical practices in the UK materials and engineering industries, focussing on the relationship between the physical properties of materials and their social perception as 'sustainable'. She also has an MA in Material Culture from UCL and a BA in Archaeology and Anthropology from the University of Oxford.
s.wilkes [@] ucl.ac.uk
UCL profile: iris.ucl.ac.uk
Zoe Laughlin - Director
Zoe Laughlin is a co-founder/director of the Institute of Making and the Materials Library project. She holds an MA from Central Saint Martin's College of Art and Design and obtained a PhD in Materials within the Division of Engineering, King's College London. Working at the interface of the science, art, craft and design of materials, her work ranges from formal experiments with matter, to materials consultancy and large-scale public exhibitions and events with partners including Tate Modern, the Hayward Gallery, the V&A and the Wellcome Collection. Her particular areas of interest are currently The Sound of Materials, The Taste of Materials and The Performativity of Matter, with outputs ranging from theatrical demonstration lectures to the making of instruments and features on both radio and television.